* 

Remember this?

Tuesday, February 22nd, 2005

Several years ago I was on a jury for a Networked art show…. While sifting through endless days of net.art sites I came across jimpunk’s “nowar.nogame.org” . How refreshing to sit back, feel out of control and to be driven along by the browser. Somewhere in the midst of the work was a section where […]

A Dual-Media Hybrid

Saturday, January 29th, 2005

A Dual-Media Hybrid – 56kTV – bastard channel – the international online art project curated by xcult.org at the invitation of the Arts Council of Switzerland Pro Helvetia – … – Jimpunk’s furious choreography of sound and image, too, uses the floss of computer culture, setting Google dialogues, spam headers, pop-ups and typograph-ically constructed figures […]

Télévision : 56 k à part

Friday, November 26th, 2004

ART-MEDIAS ET CARNETS DE BÂLE.Viper, le festival de vidéo et nouveaux médias, se tenait le week-end dernier en Suisse. 56k, une chaîne mi-télé, mi-Web avec sa série, son JT, son web-thriller… Par Marie LECHNER vendredi 26 novembre 2004 (Liberation – 06:00) www.56k-bastard.tv … Intrigue transpacifique. Certaines émissions se savourent comme des films. Le web-thriller chaotique […]

AcidMissile. A scatter-zapped action movie

Thursday, November 18th, 2004

Part of a TV station’s repertoire are action movies, and part of a TV consumer’s behaviour is the zapping action. Parisian artist jimpunk’s action movie AcidMissile presents an aesthetics of picture-musicality, a dynamic montage of sound and image, which samples itself through news and entertainment programs’ clichés. From the Comic-Ego to the AsciiCode Warrior to […]

http://www.jimpunk.com

Thursday, June 3rd, 2004

por Nilo Casares Con una anticipación que hace a su título «Diario de un genio» superar la literatura para adentrarse en la verdad, Salvador Dalí bromeaba con el nombre Piet de Mondrian para hacerlo «nyet» (nada, en ruso) por proximidad fonética y apuntar que sus obras serían, en un futuro no muy lejano, obras cibernéticas […]

</E:>

Wednesday, March 17th, 2004

www.</>// 20040317-15:18

This Is Your Browser. This is your Browser on ):mpun<

Friday, February 27th, 2004

At first the web site www.jimpunk.com is not much to look at. A default-grey background with a rather unexciting table of contents is pretty much it, punctuated only by the simple jimpunk logo, a white-on-black line drawing of a guy with a little body and a big blocky head. You might notice some slowly lengthening […]

The Screen of net.art

Tuesday, January 27th, 2004

(Texte seulement en anglais) By Valérie Lamontagne parachute.ca

jules et jim (2004) – ctgr, jimpunk and maya

Thursday, January 1st, 2004

via http://www.furtherfield.org/displayreview.php?review_id=116 This is a soft bitter work that starts off as a quirky flow of red, green and white little pop up windows hopping about the desktop, and ends brimming with intensity and sadness. It is a re-make of Henri-Pierre Roche’s novel Jules et Jim: an obscure story made famous by Francois Truffaut’s 1962 […]

Amy Alexander writes about Jimpunk and Josh Larios

Saturday, November 15th, 2003

The word “network,” at least in a social sense, seems to have a connotation of closedness. Think of the term “networking” – it refers to making connections with people within a fairly tightly defined circuit. A network can be a “community” – and that’s a Good Thing. But it can also become a clique, sometimes […]

if (jimpunk==prozac)…

Tuesday, November 4th, 2003

You can’t escape jimpunk. I tried, believe me: it was easy to be disillusioned with net.art, with so many new works showing up on the list-servs plunging so far into the morass of conceptualism that both the “net” and “network” properties that have always distinguished the medium seem to have submerged somewhere deep below the […]

dfar_451.hybrid.concordia.ca/db/manovich/

Monday, October 20th, 2003

Jimpunk.com http://www.jimpunk.com Automation The site is mainly characterized by it’s automation. All of the pieces presented to us in a sequence. The piece would automaticaly cycle through its content in the sequence it was designed. At some point it stops at a loop until interaction from the user is invoked. This interaction can either be […]

mladina.si/dnevnik/38155/

Friday, October 17th, 2003

from Jaka Železnikar Jimpunk, Jimpunk: /_____________1_____________/ in www.-reverse.-flash-.-.back-. Ne pozabite svojemu pregledovalniku dopustiti, da strani lahko same odpirajo nova okna. Likovna izraznost, ki uporablja okna kot del svoje estetike, kot prisvojen element vmesnika, enakovreden animiranim vsebinam, ki segajo od popolnega formalizma do kopice kulturnih associacij. Presecni množici: DJ/VJ kultura, zgodnja spletna umetnost. ——————————————————————————– www.mladina.si/dnevnik/38155/

/reverseflashback/

Wednesday, October 15th, 2003

I’ve always found the browser art of Parisian net.artist jimpunk utterly stunning. His newest work, .-reverse.-flash-.-.back- arrived in my email box yesterday. Abstract. Intricate. Layered. Captivating. Art is a process of discovery, a practice of science, an exploration of medium. jimpunk’s work, to me, places nothing ON the medium; instead, it is sculpted from it. […]

*PAVU s ( P2P ) :nterv:ew as man:pulated 6oo6Le quest:ons ()

Monday, October 6th, 2003

http://www.jimpunk.com/PAVU/P2P.html